巴黎聖母院

2014年同心出版社出版社出版雨果(Hugo.V.)編著圖書。

  • 中文名稱
    巴黎聖母院
  • 裝幀
    平裝
  • 定價
    59.80元
  • 作者
    雨果(Hugo.V.)
  • 出版社
    同心出版社
  • 出版日期
    2014-6
  • ISBN
    9787547710616
  • 叢書
    漢英對照·世界名著
  • 譯者
    王彥鋒

编辑推荐

《巴黎聖母院(漢英對照)》小說體現了雨果的“美醜對照”的藝術表現原則。它的發表,打破了偽古典主義的桎梏,標志著浪漫主義的徹底勝利。

作者简介

作者:(法國)雨果(Hugo V.) 譯者:王彥鋒

目录

第一卷

一大廳

二比埃爾甘果瓦

三紅衣主教大人

四雅克科勃諾爾老板

五伽西莫多

六拉愛斯梅拉達

第二卷

一從沙西德漩渦到錫拉岩礁

二格雷沃廣場

三以愛對待報怨

四深夜跟蹤美女者的麻煩

五麻煩接踵而至

六摔破的瓦罐

七新婚之夜

第三卷

一聖母院

二巴黎鳥瞰

第四卷

一善良的人們

二克洛德孚羅洛

三狗和它的主人

四克洛德孚羅洛續

五不得人心

第五卷

一聖馬爾丹修院長老

二“這個將要消滅那個”

第六卷

一公正地看看古代司法界

二老鼠洞

三一塊玉米面餅的故事

四一滴眼淚回報一滴水

五玉米面餅故事的結局

第七卷

一靠山羊守秘密太危險

二神甫與哲學家不是一樣的

三鍾

四命運

五兩個黑衣人

六弗比斯德沙多倍爾隊長

七妖僧

八臨河的窗子

第八卷

一金幣變成枯葉

二金幣變成枯葉(續)

三金幣變成枯葉(續完)

四放棄了一切希望

五母親

六三個人不同心

第九卷

一昏熱

二駝背、獨眼、瘸腿

三聾子

四粗陶與水晶瓶

五紅門的鑰匙

六紅門的鑰匙(續)

第十卷

一倍爾那丹街上甘果瓦的妙策

二你就去做乞丐吧

三快樂萬歲!

四幫了倒忙的好心朋友

五法王路易的祈禱室

六口令

七沙多倍爾趕來救援

第十一卷

一小鞋

二白衣美女

三伽西莫多的婚姻

文摘

carried out at least with impartiality and grandeur - have been added those of a swarm of school-trained architects, duly licensed and incorporated,degrading their art deliberately and, with all the discernment of bad taste, substituting the Louis XV fussiness for Gothic simplicity, and all to the greater glory of the Parthenon. This is the kick of the ass to the dying lion; it is the ancient oak, dead already above, gnawed at the roots by worms and vermin.

How remote is this from the time when Robert Cenalis, comparing Notre-Dame at Paris with the far-famed Temple of Diana at Ephesus, "so much vaunted by the ancient pagans," which immortalized Erostratus, considered the Gallican Cathedral "more excellent in length, breadth, height, and structure."

For the rest, Notre-Dame cannot, from the architectural point of view, be called complete, definite,classified. It is not a Roman church, neither is it a Gothic church. It is not typical of any style of architecture. Notre-Dame has not, like the Abbey of Tournus, the grave and massive squareness, the round,wide, vaulted roof, the frigid nudity, the majestic simplicity of the edifices which have their origin in the Roman arch. Nor is it like the Cathedral of Bourges, the splendid, airy, multiform, foliated,pinnacled, efflorescent product of the Gothic arch.Impossible, either, to rank it among that antique family of churches -- sombre, mysterious, low-pitched, cowering, as it were, under the weight of the round arch; half Egyptian, wholly hieroglyphical,wholly sacerdotal, wholly symbolical; as regards ornament.

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